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Schools and institutions interested in participating in the
Internet 2 Performing Arts Forum at the North Carolina School of the Arts Contact Michael S. Rothkopf rothkm@ncarts.edu |
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The North Carolina School of the Arts
School of Music will engage in a series of Internet 2 sessions to perform,
collaborate, discuss and exchange ideas. Internet 2 is a new high-speed
Internet system allowing high quality real-time audio-visual interaction
between people at any Internet 2 location in the world. This year’s sessions will include
collaborations with Manhattan School of Music, New World Symphony, North
Western University and the University of Michigan. This project involves the North
Carolina School of the Arts students, faculty and community in one of the
most innovative trends in the performing arts. It connects participants,
including students and alumni, to their profession and supports the
professional development of all involved. The project holds the potential for
developing leadership and entrepreneurial prospects in the arts by offering
the forum to other institutions. Please contact Dr. Michael S.
Rothkopf, Assistant Dean of Graduate Programs at the North Carolina School of
the Arts if you are interested in participating. Violin Orchestral Repertoire with Lisa Kim March 27, 2007 4:00-6:00 pm Eastern Standard Time Lisa Kim,
violinist with the New York Philharmonic and faculty at the Manhattan School
of Music will give a masterclass on orchestral violin repertoire. Understanding
Performance Anxiety
April 10, 2007 1:30-3:00 pm Eastern Daylight Time This
interactive session will explore the causes and effects of performance
anxiety, and then offer strategies that participants can immediately put to
use to advance their performing abilities. Psychologist
and musician Julie Jaffee Nagel, Ph.D., will explain why
talent, hard work, trying harder, and being smart are not “solutions” for
performance anxiety. She will illustrate how anxiety can work in a way that is
helpful and also talk about why performance anxiety may develop and become
chronically frightening and inhibiting. Dr. Nagel will share numerous
experiences from her own performing years as a pianist as well as vignettes
from individuals she has worked with in her clinical practice. She will offer
ideas for better understanding the origins of performance anxiety and better
managing it. Guitarist
and professor Gerald Klickstein, M.M., will present practical,
compassionate frameworks for grasping the nature of stage fright and for
building performance expertise. Using a skills-based approach, he will
describe the five facets of concert preparation and spell out seven key
performance-enhancing techniques. He will discuss backstage rituals, on-stage
tactics and post-performance routines that allow musicians take command of
their performances and celebrate their roles as performing artists. Julie Jaffee Nagel, Ph.D., is well acquainted with
performance anxiety and the relationship between music and the mind from her
personal, therapeutic, and educational experiences. She graduated from The
Juilliard School with two degrees in piano performance, and then, after many
years performing and teaching, but always baffled by her own stage fright,
she entered The University of Michigan to earn her MSW and Ph.D. in
psychology and social work. Subsequently, she trained to become a
psychoanalyst at the Michigan Psychoanalytic Institute. In addition to her
clinical private practice in Ann Arbor, Michigan, she has shared her hybrid
work with audiences of all ages and experience levels. She has published
widely in both scholarly and popular journals. For more information on Dr. Nagel’s work please visit www.julienagel.net. Gerald Klickstein, M.M., is Professor of Music at the North
Carolina School of the Arts (NCSA) and an active classical guitarist and
music performance educator. He frequently lectures at national music
conferences and appears at numerous American music schools and festivals
where he performs, teaches and directs workshops dealing with practice
methods, musicians’ wellness and the development of performance skills.
Prior to his appointment at NCSA, he taught on the music faculties of the
University of Texas at San Antonio, Michigan State University and Lansing
Community College. His writings and musical arrangements are distributed
internationally by a variety of publishers. New World Symphony: Professional
Orchestral Auditions April 17, 2007 1:00-3:00 pm Eastern Standard Time A discussion on issues and strategies for
taking professional orchestral auditions with Thomas Hadley at the New World
Symphony in Miami, Florida. Clarinet Masterclass with Karl
Leister, Berlin Philharmonic April 25, 2007 tba Karl Leister, former principal clarinet
with the Berlin Philharmonic will offer a masterclass. Audition with the New World
Symphony May 22, 2006 1:00-3:00 pm Eastern Standard Time The North Carolina School of the Arts
graduate audition class takes auditions with the New World Symphony.
Past North Carolina School of the
Arts – School of Music Internet 2 Sessions April 26, 2006 A masterclass and discussion on the Fugues
of the Well-Tempered Clavier by J.S. Bach featuring Dr. David Koorevar from
the University of Colorado and Dr. Timothy Smith from Northern Arizona
University. April 11, 2006 A discussion on Wellness Practices for
Musicians by Dr. Ralph Manchester, Director of Health Services for the
University of Rochester and Gerald Klickstein, guitar faculty at the North
Carolina School of the Arts. March 24, 2006 Lisa Kim, violinist with the New York
Philharmonic and faculty at the Manhattan School of Music offering a class on
orchestral violin repertoire. February 27, 2006 The North Carolina School of the Arts
graduate audition class takes auditions with the New World Symphony via
Internet 2. February 6, 2006 A performance and discussion of the
interpretive and historical aspects of the Brahms String Quartet in A Minor
by Dr. Walter Frisch from Columbia University and the Mendelssohn String
Quartet. January 26, 2006 A discussion on issues and strategies for
taking professional orchestral auditions with the audition staff at the New
World Symphony in Miami, Florida. April 10, 2005 DaCapo Chamber Players perform and discuss
John Harbison’s Songs that America Loves to Sing. March 2, 2005 Horn coaching session on Mahler Symphony
No. 9 with New World Symphony fellows. March 1, 2005 Audition with New World Symphony for
graduate audition class. Flute
orchestral repertoire coaching sessions with New World Symphony fellows. February 28, 2005 Trumpet, trombone and tuba coaching
sessions on Mahler Symphony No. 9 with New World Symphony fellows. February 23, 2005 Horn coaching session with New World
Symphony fellows. February 21, 2005 Tuba coaching session with New World
Symphony fellows. February 9, 2005 Flute and violin orchestral repertoire
coaching sessions with New World Symphony fellows. January 26, 2005 Horn orchestral repertoire coaching
session with New World Symphony fellows. December 9, 2004 Flute orchestral repertoire coaching
session with New World Symphony fellows. December 8, 2004 Clarinet masterclass with Richard
Stolzman. December 6, 2004 Violin orchestral repertoire coaching
session with New World Symphony fellows. October 1, 2004 Outreach session with Susan Stauter
Artistic Director of the San Francisco School System. June 4, 2004 Young Eight chamber ensemble session with
Cleveland Institute of Music. May 18, 2004 Audition with New World Symphony for
graduate audition class. May 11, 2004 Audition class discussion with Michael
Linville at the New World Symphony. October 27, 2003 Michael Tilson Thomas and the New World
Symphony on Aaron Copland’s Appalachian Spring. |
